HEIDI PITRE
“Like most artists, I was locked in my room lost in art while other kids played sports. Private drawing lessons did not last long. I know now that the teacher was trying to teach me art fundamentals, but at the time I didn’t understand what shadows on a Styrofoam ball had to do with anything that mattered to me.
“High school art classes tempted me briefly, but the private Catholic school I attended did not put a high value on art. Convinced that I could never make a living as an artist, I focused on college prep. I attended University of New Orleans for one semester and dropped out.
“Coerced by a friend to attend a local community college, I found a perfect fit in the art department there. I still remember the drawing, a graphite sketch of two hands with interlocking fingers that I was working on when I realized that I could capture the essence of the person in a sketch of his hands. From that point on, I knew: I am an artist. I returned to UNO and graduated with a BFA with a concentration in painting.
“From that point forward I have been able to work mostly in commercial art, and later in web design, either in a 9 to 5 job or as a freelance artist, but always with effort on creating my own original works on the side. I sometimes choose pencils, or a camera to create images, but I always return to painting. Some people work out their tangled relationships, hopes, doubts and fears in their dream life. I work mine out with a brush and oils on a canvas.
“In 2004, I finally created a real workspace for myself. Not long after, I created a piece called “Constant Craving,” a somewhat disguised self-portrait of a naked woman crawling on a wire grid, reaching precariously for a creamy, pink cupcake. It can be interpreted as a commentary on the discomfort that women go through, the temptations and the yearnings we have, but sometimes it’s just a snapshot of a woman and a cupcake.
“It was also in 2004 that I accepted a commission to paint a canvas, a surreal, dreamy Dalmatian in a fire station, for a New Orleans restaurant called FIRE. That began a series of commissions of dog portraits which have led me to being able to support myself for a time as a full-time painter.
“Now I balance time between painting, sewing, cooking, my family, and my dog, Lula. Always, in the back of my mind, is the next painting.”
http://www.heidipitre.com/about.html
EDUCATION
Bachelor’s Degree in Fine Art, University of New Orleans, 1997
SHOWS and EXHIBITIONS
Jan 2015
Oct 2014
Hattiesburg Art Center Mississippi Arts Commission Fellowship Recipient Show Hattiesburg, MS
Sept 2014
Fondren Renaissance Foundation 2nd Inaugural Juried Art Exhibition The Cedars Jackson, MS
June 2014
Festival South’s Featured Artist Oddfellow’s Gallery Hattiesburg, MS
Apr 2014
ArtfieldsLake City, SC
Apr 2014
figure50.com Featured Artist
Jan. 2014
Surreal Salon Six Baton Rouge Gallery Baton Rouge, LA
Oct. 2013
Sep 2013
Fondren Renaissance Foundation 2nd Inaugural Juried Art Exhibition The Cedars Jackson, MS
Aug 2013
Group Show “Girls of Summer” Mississippi Art Commission Jackson, MS
Feb 2013
Group Show The Side Porch Gallery Biloxi, MS
Jan 2013
Group Show “Reveal” 10 of 10 WomenUSM Cook Library Hattiesburg, MS
Oct 2012
Group Show The Side Porch Gallery Biloxi, MS
Sep 2012
The Cedars Jackson, MS
May 2011
May Day Group Show Betty Press Studio Hattiesburg, MS
Dec 2008
Art Walk USM SB Center Hattiesburg, MS
May 2007
Art Walk USM SB Center
Sep 2006
Mac & Andy Group Show The Cedars Jackson, MS
Apr 2006
Group Show208 Main Street Hattiesburg, MS
Aug 1997
Mar 1995-May 1996
Hilderbrand Gallery New Orleans, LA
Jan 1995
35 Emerging Artists Gallier Hall New Orleans, LA
Nov 1994, Oct 1994, Mar 1994, Nov 1993
Solo Exhibitions True Brew New Orleans, LA
RESIDENCES
2014
Navasota Artist in Residence, The Arts Council of the Brazos Valley, Navasota, TX
2013
AWARDS
Mississippi Arts Commission Fellowship Recipient
2012
Fondren Renaissance Foundation Inaugaral Juried Art Exhibition Best of Show
2006
Pollack-Krasner Foundation Grant recipient
2006
1995
work selected for cover of Ellipsis,Volume XXIII, regional literary journal of the University of New Orleans
1995
painting selected for cover of Keepsake Medical Dicrectory, nationwide publication
1994
two works accepted for inclusion in Ellipsis, Volume XXII, regional literary journal of the University of New Orleans
HEIDI’S GALLERIES
HEIDI’S UPDATES
This Means War oil on canvas 48x48 (prints available)
One Man with a Dream 48x48 (prints available)
Cognitive Dissonance 48x36 (prints available)
enough